I could go on and on but I'll just end by saying by far, this is the best concert from Ellie that I have ever experienced. That bond that we had with her and the band was very special and singular. As an audience, I could see that everyone had really connected with the performance and performers-whenever Ellie was speaking, everyone was silent, listening intently to her. The atmosphere created was very tense and enjoyable it felt both exhilarating and relaxed depending on the song and mood. With the odd spot of conversation between songs proved how human and raw Ellie actually is (unlike some singers who do nothing to interact with their audience) and it really added to the intensity and uniqueness of the performance. It was wonderfully balanced with a range of Ellie's more upbeat, EDM tracks and also her lighter, more relaxed numbers (including a handful of beautiful acoustic sounds). I'm finding it so hard to find words that perfectly describe last night's #deliriumworldtour concert. It's no secret that Ellie's musical style has changed since breaking the States, yet her credibility and intent as a musician remains solid. 'Lights' makes for a dramatic encore as from the intro the audience cheer and dance as Ellie launches into an extended version as the track breaks down into a piece of house/dance. She winds down her main set with a plethora of hits which now include 'Anything Could Happen', 'Starry Eyed' and 'I Need Your Love', her collaboration with Calvin Harris. 'Figure 8' is a highlighted moment as she forcefully beats her snare drum with aggressive force as the crowds cheer her on.Ī tender cover of Active Child's 'Hanging On' chills the air in the venue as her pained vocal hits every single note on point.
Her live show is now a melange of cult favourites that propelled her to stardom such as 'Guns & Horses' with the commercial pop/production driven mega-hits such as 'Burn'.Įllie tackles each track with the same form of intensity, from the opening reverberations of 'Don't Say A Word' she stands with determination centre-stage and delivers each note with proud intonation in that unique vocal style. She’s at the top of her game, and will remain there for years to come, so what comes next is going to be truly spectacular.Įllie Goulding is now a household name in both her UK homeland and the US thanks to the success of 'Lights'. Live, she’s opened for everyone from the Dave Matthews Band to Katy Perry to U2 and her second album, “Halcyon”, saw her go even further, headlining arena concerts in her home country and working with everyone from Skrillex to Calvin Harris to Angel Haze. By the end of 2010 “Lights”, her debut album, had gone straight to number one, has since sold a million copies worldwide and the title track was a number two hit on the Billboard Hot 100. Mere months after that she won the critics’ choice BRIT Award and after that, all bets were off. At that point, previous winners had been Adele, 50 Cent and Keane, so this obviously carries a little more weight than most, and in 2010, they gave it to Goulding. The BBC Sound Of 2010 poll showcased the music industry’s top choices for the next big artists of the coming year. Lillywhite became her manager and by July 2009, Goulding had signed to Polydor records.Īlmost immediately she was running with the big leagues, a performance on Later… With Jools Holland rose her profile dramatically, as did a tour supporting Little Boots, but the start of 2010 saw the moment where Ellie Goulding became a star. She continued writing her own material while at university, and it was when she took part in a talent show while she was there that she was spotted by Jamie Lillywhite of First Turn Artists, a management team that she successfully auditioned for a couple of months later. Goulding had always been musical, taking up the clarinet when she was nine and the guitar by the age of14, but when she was 15 she entered and won a singing contest with a composition of her own. You might have even been able to see it before she had even left secondary school. Of course, a lot of the time anyone can see that they’re going to be massive, and that’s exactly what happened with Ellie Goulding, the only confusing thing was how world-conqueringly huge she got in such a small period of time, but anyone who saw her perform or heard her songs could tell that she was destined for greatness. They’re wrong in most cases whether they’re the BBC or your mate who saw them when their mates band opened for them, but from time to time, they can be right on the money. By and large, it’s advisable not to listen when someone tells you that an artist is going to be the biggest name in music by the end of the year.
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